"Un ballo in maschera / Act 3: "Morrò, ma prima in grazia"" by Giuseppe Verdi, Angela Gheorghiu, Shana Downes, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly was released on April 6, 2024. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 28 out of 68 in Dies irae by Giuseppe Verdi. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Un ballo in maschera / Act 3: "Morrò, ma prima in grazia" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Un ballo in maschera / Act 3: "Morrò, ma prima in grazia" by Giuseppe Verdi, Angela Gheorghiu, Shana Downes, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 86 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | C Major | 1 | 8B | 77 BPM | ||
La forza del destino: Qual sangue sparsi - S'affronti la morte | Giuseppe Verdi, Michael Fabiano, London Voices, London Philharmonic Orchestra, Enrique Mazzola | B♭ Major | 2 | 6B | 169 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Nabucco / Act 2: Salgo già del trono aurato | Giuseppe Verdi, Ghena Dimitrova, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 4 | 8B | 81 BPM | ||
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "L'estate": III. Tempo impetuoso d'estate | Antonio Vivaldi, Europa Galante, Fabio Biondi | F♯ Major | 6 | 2B | 85 BPM |
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