On October 21, 2010, the song "Part III. Overture in B-Flat Major: III. Allegresse, vite" was released by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz. The duration of Part III. Overture in B-Flat Major: III. Allegresse, vite is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Part III. Overture in B-Flat Major: III. Allegresse, vite's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #3. Based on our statistics, Part III. Overture in B-Flat Major: III. Allegresse, vite's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Part III. Overture in B-Flat Major: III. Allegresse, vite by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM | ||
12 Violin Concertos, Op. 4 - "La stravaganza" / Concerto No. 7 in G Major, RV 185: 3. Largo | Antonio Vivaldi, Simon Standage, The English Concert, Trevor Pinnock | B Minor | 0 | 10A | 81 BPM | ||
Trio Sonata in E Major, Op. 1, No. 4, RV 66: V. Giga (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
Concerto grosso No. 2 in F Major, Op. 6: III. Grave - Andante largo | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco | D♭ Minor | 1 | 12A | 79 BPM | ||
Concerto No 11 in B flat major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | A Major | 2 | 11B | 147 BPM | ||
Pièces à deux violes du Premier Livre, Suite en sol majeur: IV. Sarabande (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | F♯ Major | 0 | 2B | 169 BPM | ||
Concerto grosso in B flat, Op.6, No.5: 4. Largo - Allegro | Arcangelo Corelli, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 177 BPM | ||
Suite No. 2 in B Minor, BWV 1067: Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II alternativement | Johann Sebastian Bach, Freiburger Barockorchester | A Major | 0 | 11B | 79 BPM | ||
Concerto in G major Seibel 215: 4. Allegro - 2/4 | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 162 BPM |
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