Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith's 'Pièces à deux violes du Premier Livre, Suite en sol majeur: IV. Sarabande (1686)' came out on September 27, 2011. The duration of Pièces à deux violes du Premier Livre, Suite en sol majeur: IV. Sarabande (1686) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Pièces à deux violes du Premier Livre, Suite en sol majeur: IV. Sarabande (1686)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 12 out of 83. The popularity of Pièces à deux violes du Premier Livre, Suite en sol majeur: IV. Sarabande (1686) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces à deux violes du Premier Livre, Suite en sol majeur: IV. Sarabande (1686) by Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Major | 4 | 8B | 101 BPM | ||
Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
Ciaccona in A Major | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Major | 1 | 4B | 135 BPM | ||
[Suite en sol mineur]: I. Prélude (No. 63) | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 0 | 11A | 115 BPM | ||
Alcione - 4Ème Suite - Airs Pour Les Matelots Et Les Tritons - 2Ème Air Pour Les Mêmes | Jordi Savall, Marin Marais | D Minor | 1 | 7A | 112 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 138 BPM |
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