"Trio Sonata in E Major, Op. 1, No. 4, RV 66: V. Giga (Allegro)" by Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque was released on August 31, 2000. With Trio Sonata in E Major, Op. 1, No. 4, RV 66: V. Giga (Allegro) being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Trio Sonatas, Op. 1 by Antonio Vivaldi, London Baroque, Charles Medlam. The song's track number on the album is #18 out of 62 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Trio Sonata in E Major, Op. 1, No. 4, RV 66: V. Giga (Allegro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Trio Sonata in E Major, Op. 1, No. 4, RV 66: V. Giga (Allegro) by Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Trio Sonata in E Major, Op. 1, No. 4, RV 66: V. Giga (Allegro) being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata à 3 in D Minor, B. d2: I. Allegro | Giuseppe Tartini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in F major, Op. 6, No. 2: 2. Allegro | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | D♭ Minor | 2 | 12A | 93 BPM | ||
Flute Concerto in G Major, Wq. 169, H. 445: III. Presto | Carl Philipp Emanuel Bach, Peter Thalheimer, Collegium Musica Rara Stuttgart | F♯ Major | 2 | 2B | 99 BPM | ||
Trio Sonata No. 2 in G Minor: IV. Menuets I & II | Giovanni Bononcini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Symphony No. 5 in C Major: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | D Major | 1 | 10B | 78 BPM | ||
Concerto in F major for Violin, 2 oboes, 2 horns, cello, bassoon & strings RV 571: 2. Largo | Antonio Vivaldi, Danny Bond, Simon Standage, Frank de Bruine, Academy of Ancient Music, Christopher Hogwood | F Minor | 1 | 4A | 134 BPM | ||
Mensa sonora / PARS II (In F Major): 2. Balletto. Alla breve (I) | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D Minor | 0 | 7A | 81 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": II. Allaman | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 1 | 4B | 82 BPM |
Section: 0.873420000076294
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