Antonio Vivaldi, Dmitry Sinkovsky, La Voce Strumentale's 'Cessate, omai cessate, RV 684: Cessate, omai cessate' came out on 2014. With Cessate, omai cessate, RV 684: Cessate, omai cessate being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Sinkovsky Plays and Sings Vivaldi". In this album, this song's track order is #7. The popularity of Cessate, omai cessate, RV 684: Cessate, omai cessate is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cessate, omai cessate, RV 684: Cessate, omai cessate by Antonio Vivaldi, Dmitry Sinkovsky, La Voce Strumentale having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa in h-moll, BWV 232, Gloria: VII. Qui sedes ad dextram Patris | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Damien Guillon | B♭ Minor | 0 | 3A | 125 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Stabat Mater RV 621: V. Quis non posset | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux | C Minor | 1 | 5A | 71 BPM | ||
Bassani: In caligine umbrosa: IV. Ardendo suspiro... Jam gratae memoriae | Philippe Jaroussky | C Minor | 1 | 5A | 116 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Sarro: Messa a 5 voci: "Laudamus te" | Domenico Sarro, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 2 | 1A | 113 BPM | ||
Sinfonia in B minor, RV 169, "Al Santo Sepolcro": II. Allegro ma poco | Karoly Botvay | B Minor | 0 | 10A | 74 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Andre Saint-Olivier, Christian Schneider, Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy | D♭ Major | 2 | 3B | 117 BPM | ||
Aria "Exaltate Regem regum" | Anonymous, Florilegium, Bolivian Soloists | A Major | 2 | 11B | 76 BPM | ||
Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo) | Tafelmusik Baroque Orchestra | E Minor | 1 | 9A | 89 BPM |
Section: 1.1676430702209473
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