Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Damien Guillon's 'Missa in h-moll, BWV 232, Gloria: VII. Qui sedes ad dextram Patris' came out on January 30, 2012. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 27 in Bach: Missa in h-moll by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Missa in h-moll, BWV 232, Gloria: VII. Qui sedes ad dextram Patris's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa in h-moll, BWV 232, Gloria: VII. Qui sedes ad dextram Patris by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Damien Guillon is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Minor for Violin & Oboe, BWV 1060R: 2. Adagio | Johann Sebastian Bach, Janine Jansen, Ramon Ortega Quero, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | C Minor | 1 | 5A | 130 BPM | ||
Matthäus Passion, Prima Parte: 13. Aria (Soprano): Ich Will Dir Mein Herze Schenken | Stephen Cleobury, Michael George, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, Martyn Hill, Emma Kirkby, Choir of King's College, Cambridge, David Thomas | F♯ Major | 0 | 2B | 72 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Christus, der uns selig macht (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 1 | 1A | 112 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben Wohl | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
II. Himmelskönig, Sei Willkommen BWV 182, Choral (Coro): Jesu, Deine Passion | Pieter Jan Leusink, Sytse Buwalda, Knut Schoch, Anneke Boeke, Holland Boys Choir; Netherlands Bach Collegium, Ruth Holton, John Wilson Meyer, Bas Ramselaar, Johann Sebastian Bach | D Major | 1 | 10B | 83 BPM | ||
Matthäus Passion, Prima Parte: 8. Aria (Soprano): Blute Nur, Du Liebes Herz! | Stephen Cleobury, Johann Sebastian Bach, Rogers Covey-Crump, David Thomas, Martyn Hill, Choir of King's College, Cambridge, Michael George, Michael Chance, Emma Kirkby | B♭ Minor | 0 | 3A | 135 BPM | ||
Pergolesi: Stabat Mater in F Minor, P. 77: V. Quis est homo qui non fleret (Soprano - Alto) | Giovanni Battista Pergolesi, Il Seminario Musicale - Véronique Gens - Gérard Lesne | B♭ Minor | 1 | 3A | 71 BPM | ||
Sonata for Flauto Traverso and Basso Continuo in E Major, BWV 1035: II. Allegro | Richard Egarr, Johann Sebastian Bach, Viola de Hoog, Martin Root | D Major | 2 | 10B | 103 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Nisi Dominus, RV 608: VI. Beatus | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky | B♭ Major | 0 | 6B | 128 BPM |
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