On November 3, 2017, the song "Germanico in Germania / Act 1: Sinfonia" was released by Nicola Porpora, Capella Cracoviensis, Jan Tomasz Adamus. With Germanico in Germania / Act 1: Sinfonia being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 69 in the song's album "Porpora: Germanico in Germania". In this album, this song's track order is #1. Based on our statistics, Germanico in Germania / Act 1: Sinfonia's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Germanico in Germania / Act 1: Sinfonia by Nicola Porpora, Capella Cracoviensis, Jan Tomasz Adamus having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La fida ninfa, RV 714, Act I, Scene 9: Alma oppressa da sorte crudele (Licori) | Antonio Vivaldi, Sandrine Piau, Jean-Christophe Spinosi, Ensemble Matheus | E Minor | 3 | 9A | 134 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Dixit Dominus (Salmo 109), RV 594: III. Virgam virtutis tuae | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Gemma Bertagnolli, Roberta Invernizzi | D Major | 2 | 10B | 112 BPM | ||
Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti" | Simone Kermes | F Minor | 1 | 4A | 72 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | B Minor | 0 | 10A | 71 BPM | ||
Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo) | Francesco Cavalli, Philippe Jaroussky | G Major | 2 | 9B | 70 BPM | ||
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Mille pene" (Orfeo) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 91 BPM | ||
Polifemo: Recitativo - Galatea, Aci I | Nicola Porpora, Julia Lezhneva, Yuriy Mynenko, George Petrou, Armonia Atenea | D♭ Major | 2 | 3B | 99 BPM |
Section: 0.8800220489501953
End: 0.8847677707672119