"Refrain 1" by Stephen Stubbs was released on October 13, 2003. With Refrain 1 being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 15 in Care-charming sleep by The Dowland Project, John Potter. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Refrain 1 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Refrain 1 by Stephen Stubbs is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laissez durer la nuit | Sébastien Le Camus, Stephen Stubbs, Suzie LeBlanc | F♯ Minor | 0 | 11A | 78 BPM | ||
Antiochus und Stratonica, Act II Scene 7: Sinfonia | Christoph Graupner, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs | C Major | 0 | 8B | 119 BPM | ||
Serse, HWV 40: Ombra mai fù | George Frideric Handel, Stephen Stubbs, Suzie LeBlanc, Daniel Taylor, Arion Orchestre Baroque | E Minor | 0 | 9A | 76 BPM | ||
Il Flaminio · Introduzione: III. 03 Allegro | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | F♯ Major | 3 | 2B | 101 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM | ||
Almira, HWV 1, Act II Scene 12: Der Himmel wird strafen | George Frideric Handel, Amanda Forsythe, Boston Early Music Festival Orchestra, Stephen Stubbs, Paul O'Dette | A♭ Major | 2 | 4B | 113 BPM | ||
Variations on La Folia | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | B Major | 1 | 1B | 131 BPM | ||
Passagalia in G Minor | Heinrich Ignaz Franz von Biber, Xavier Diaz-Latorre | F♯ Minor | 2 | 11A | 100 BPM | ||
Salve Regina, RV617: Eja ergo - Allegro | Antonio Vivaldi, Suzie Le Blanc/Teatro Lirico/Stephen Stubbs, Teatro Lirico, Stephen Stubbs | G Major | 0 | 9B | 72 BPM | ||
12 Danzas españolas, Op. 37: No. 5, Andaluza (Arr. J. Mourat for Guitar & Mandolin) | Enrique Granados, Jens-Uwe Popp, Jochen Roß | B Minor | 0 | 10A | 149 BPM |
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