Serse, HWV 40: Ombra mai fù
George Frideric Handel, Stephen Stubbs, Suzie LeBlanc, Daniel Taylor, Arion Orchestre Baroque
Handel: Love Duets
2:55 November 3, 2002
BPM
76
Key
E Minor
Camelot
9A

Embed

Share Link

Serse, HWV 40: Ombra mai fù - George Frideric Handel, Stephen Stubbs, Suzie LeBlanc, Daniel Taylor, Arion Orchestre Baroque Information

Acousticness
95%
Danceability
41%
Energy
4%
Instrumentalness
0%
Liveness
27%
Loudness
58%
Speechiness
7%
Valence
37%
Popularity
Loudness
-25.145 dB

Summary

George Frideric Handel, Stephen Stubbs, Suzie LeBlanc, Daniel Taylor, Arion Orchestre Baroque's 'Serse, HWV 40: Ombra mai fù' came out on November 3, 2002. The duration of Serse, HWV 40: Ombra mai fù is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Serse, HWV 40: Ombra mai fù's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Arion Orchestre Baroque, Stephen Stubbs, Suzie LeBlanc, Daniel Taylor's "Handel: Love Duets" album is number 14 out of 14. On top of that, Canada appears to be the country where this track was created. Serse, HWV 40: Ombra mai fù is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Serse, HWV 40: Ombra mai fù BPM

We consider the tempo marking of Serse, HWV 40: Ombra mai fù by George Frideric Handel, Stephen Stubbs, Suzie LeBlanc, Daniel Taylor, Arion Orchestre Baroque to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.

Serse, HWV 40: Ombra mai fù Key

This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLe bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et ArlequinsJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major02B0 BPM
Concerto Grosso In F Major, Op. 6, No. 2: IV. Allegro by Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella IstropolitanaConcerto Grosso In F Major, Op. 6, No. 2: IV. AllegroArcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella IstropolitanaF Major37B112 BPM
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture by Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens LyriquesPhaeton, Prologue - Le retour de l'Âge d'or: OuvertureJean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens LyriquesB♭ Major36B128 BPM
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai by Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner EhrhardtCello Concerto No. 3 in A Major, Wq. 172: III. Allegro assaiCarl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner EhrhardtE Major212B107 BPM
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) by Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank MausCanon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra)Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank MausD Major110B83 BPM
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai by William Boyce, Academy of Ancient Music, Christopher HogwoodSymphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assaiWilliam Boyce, Academy of Ancient Music, Christopher HogwoodD♭ Major23B131 BPM
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo by Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher HogwoodConcerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. LargoAntonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher HogwoodA♭ Major04B75 BPM
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade by Cologne Chamber Orchestra, Georg Philipp TelemannOverture (Suite) In G Minor, TWV 55: G4: VI. GasconnadeCologne Chamber Orchestra, Georg Philipp TelemannG Minor46A146 BPM
Petite messe solennelle: Kyrie by Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio DantonePetite messe solennelle: KyrieGioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio DantoneC Major08B120 BPM
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga by Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas WardOboe Concerto in A Major (arr. J. Barbirolli): V. GigaArcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas WardF Major07B104 BPM
ISRC
CAJ720226014
Label
L-M Records/RCA Records

Section: 0.6161398887634277

End: 0.6194992065429688