"Laissez durer la nuit" by Sébastien Le Camus, Stephen Stubbs, Suzie LeBlanc was released on February 1, 2001. Laissez durer la nuit is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The song is number 4 out of 13 in Amour cruel: Music for 2 Equal Viols by Suzie LeBlanc, Les Voix Humaines, Stephen Stubbs. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Laissez durer la nuit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Laissez durer la nuit by Sébastien Le Camus, Stephen Stubbs, Suzie LeBlanc is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Exaudiat te Dominus, LWV 77 No. 15: II. Tribuat tibi secundum cor tuum | Jean-Baptiste Lully, Stephane Fuget, Les Épopées | F Minor | 2 | 4A | 78 BPM | ||
Atys, LWV 53, Act I: Un amour malheureux (Sangaride, Doris) | Jean-Baptiste Lully, Marie Lys, Gwendoline Blondeel, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 1: Ariette. Que ce beau jour promet d’heureux instants (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 4 | 4A | 141 BPM | ||
Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
When Saul was king: IV. All the night she weepeth sore | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient Music | E Minor | 0 | 9A | 111 BPM | ||
Handel: Theodora, HWV 68, Act 1: "As With Rosy Steps the Morn" (Irene) | George Frideric Handel, Jupiter, Thomas Dunford, Lea Desandre | F Major | 1 | 7B | 93 BPM | ||
Elevatio O miraculum! | Sébastien de Brossard, Sébastien Daucé, Ensemble Corrrespondances | C Major | 2 | 8B | 94 BPM | ||
Stabat Mater in F Minor, RV 621: No. 5., Quis non posset contristari | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM |
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