Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford's 'Variations on La Folia' came out on November 20, 2020. With this song being about 5 minutes long, at 5:15, "Variations on La Folia" by Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 28 in the song's album "The Mad Lover". In this album, this song's track order is #7. Based on our statistics, Variations on La Folia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations on La Folia by Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Sonata in G Minor: I. Largo | Henry Eccles, Amit Peled, Eliza Ching | B♭ Major | 1 | 6B | 173 BPM | ||
El cant dels ocells | Pablo Casals, Christian-Pierre La Marca | G Minor | 1 | 6A | 115 BPM | ||
Ayres for the Violin, Book 4, Suite in A Major (Nos. 1-11): V. Aria in Passaggio - Prestissimo | Nicola Matteis, Nicholas McGegan, The Arcadian Academy | A♭ Major | 1 | 4B | 101 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale" | Robert de Visée, Jean Rondeau | D♭ Minor | 2 | 12A | 125 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf Lislevand | E♭ Minor | 1 | 2A | 125 BPM | ||
De Visée: Suite No. 7 en ré mineur: V. Chaconne | Robert de Visée, Thomas Dunford | D♭ Minor | 0 | 12A | 100 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Violin Concerto in B-Flat Major, RV 583 "in due cori con violino discordato": Ciaconna | Antonio Vivaldi, Théotime Langlois de Swarte, Le Consort | A Major | 1 | 11B | 50 BPM |
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