Robert de Visée, Jean Rondeau's 'De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale"' came out on May 29, 2020. The duration of De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale" is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 20 in Barricades by Jean Rondeau, Thomas Dunford. Based on our statistics, De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale" by Robert de Visée, Jean Rondeau is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Provenzale: Lo schiavo di sua moglie: "Non posso far" (Lucillo) | Francesco Provenzale, Lea Desandre, jupiter_BRKN, Thomas Dunford | D♭ Major | 3 | 3B | 136 BPM | ||
Charpentier: Celle qui fait tout mon tourment, H. 450 | Marc-Antoine Charpentier, Lea Desandre, Thomas Dunford | D♭ Minor | 0 | 12A | 126 BPM | ||
Recorder Concerto in F Major: 2. Siciliano | Giuseppe Sammartini, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | A♭ Minor | 1 | 1A | 105 BPM | ||
Violin Sonata in D Major, Op. 5 No. 1: II. Allegro | Arcangelo Corelli, Trio Corelli | D♭ Major | 2 | 3B | 116 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Ground en do mineur | Henry Purcell, Luc Beauséjour | B Minor | 2 | 10A | 107 BPM | ||
Fantazia I in 3 Parts | Henry Purcell, Fretwork | D♭ Minor | 1 | 12A | 102 BPM | ||
Rameau: Premier livre de pièces de Clavecin, (1706), Suite in A Minor, RCT 1: No. 1 Prélude | Jean-Philippe Rameau, Jean Rondeau | G Minor | 3 | 6A | 80 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM |
Section: 0.5730514526367188
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