- BPM
- 84
- Key
- D Major
- Camelot
- 10B
Ave Maria - Voice - Charles Gounod, Kathleen Battle, Robert Sadin Information
- Acousticness
- 49%
- Danceability
- 43%
- Energy
- 53%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 85%
- Speechiness
- 4%
- Valence
- 36%
- Popularity
- 17%
- Loudness
- -8.88 dB
Summary
Charles Gounod, Kathleen Battle, Robert Sadin's 'Ave Maria - Voice' came out on March 18, 1997. The duration of Ave Maria - Voice is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Ave Maria - Voice's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kathleen Battle's "Grace" album is number 14 out of 14. On top of that, United States appears to be the country where this track was created. Ave Maria - Voice is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Ave Maria - Voice BPM
We consider the tempo marking of Ave Maria - Voice by Charles Gounod, Kathleen Battle, Robert Sadin to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Ave Maria - Voice Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ave Maria, CG89a (from Bach Prelude in C, BWV 846) | Charles Gounod, Ben Hulett, Helen Tunstall, Choir of New College, Oxford, Edward Higginbottom | F Major | 1 | 7B | 131 BPM | |
 | Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | |
 | Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM | |
 | Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | |
 | 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | |
 | Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Orchestra) | Robert Schumann, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 93 BPM | |
 | String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | F♯ Major | 0 | 2B | 90 BPM | |
 | Andante Cantabile | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | B♭ Major | 0 | 6B | 90 BPM | |
 | The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | |
 | Gounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus) | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 0 | 6B | 68 BPM |
- ISRC
- USSM19504277
- Label
- L-M Records/RCA Records
Section: 0.8901145458221436
End: 0.8950812816619873