"Der Doppelgänger, S.560/12" by Franz Schubert, Franz Liszt, John Bingham was released on November 16, 2009. With this song being about 5 minutes long, at 4:45, "Der Doppelgänger, S.560/12" by Franz Schubert, Franz Liszt, John Bingham is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Schubert Songs, Arranged by Franz Liszt". In this album, this song's track order is #8. Der Doppelgänger, S.560/12 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Doppelgänger, S.560/12 by Franz Schubert, Franz Liszt, John Bingham having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Liebesleid | Fritz Kreisler, Sergei Rachmaninoff | A Minor | 0 | 8A | 77 BPM | ||
Bottesini: Double Bass Concerto in B Minor: I. Allegro moderato | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | E Minor | 2 | 9A | 102 BPM | ||
Einleitung - III | Friedrich Nietzsche, Lauretta Altman | D Minor | 0 | 7A | 135 BPM | ||
Via Crucis, S53/R534: Station XIV: Jesus wird ins Grab gelegt | Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano | G Minor | 0 | 6A | 80 BPM | ||
Chaconne in G Minor | Tomaso Antonio Vitali, Jascha Heifetz, Richard Ellsasser | G Minor | 4 | 6A | 80 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM |
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