"Einleitung - III" by Friedrich Nietzsche, Lauretta Altman was released on October 1, 1998. With Einleitung - III being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Nietzsche: Music of Friedrich Nietzsche". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Canada. Based on our statistics, Einleitung - III's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Einleitung - III by Friedrich Nietzsche, Lauretta Altman having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesleid | Fritz Kreisler, Sergei Rachmaninoff | A Minor | 0 | 8A | 77 BPM | ||
Nocturne No. 24 in B Minor | Stephan Beneking | B Minor | 2 | 10A | 193 BPM | ||
Double Bass Concerto, Op. 3: II. Andante | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | B Minor | 1 | 10A | 131 BPM | ||
Monodie à deux (Lob der Barmherzligkeit) | Friedrich Nietzsche, Wolfgang Bottenberg, Lauretta Altman | C Major | 1 | 8B | 130 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Albumblatt | Friedrich Nietzsche, Lauretta Altman | D♭ Minor | 1 | 12A | 96 BPM | ||
Egmont Overture, Op. 84 - Remastered | Ludwig van Beethoven, George Szell, Cleveland Orchestra | F Minor | 1 | 4A | 83 BPM | ||
Huit Morceaux, Op. 39: Berceuse | Reinhold Glière, Arlen Hlusko, Fall for Dance North, Lun Li | G Major | 0 | 9B | 67 BPM | ||
Images I, L. 110: 1. Reflets dans l'eau | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 67 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM |
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