"De Morata: Aquí me declaró su pensiamento" by Ginés de Morata, Victoria de los Ángeles, Ars Musicae De Barcelona, Enrique Gispert had its release date on October 6, 2023. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. De Morata: Aquí me declaró su pensiamento's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Songs of Andalusia. Music from the Middle Ages and Renaissance". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. The popularity of De Morata: Aquí me declaró su pensiamento is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With De Morata: Aquí me declaró su pensiamento by Ginés de Morata, Victoria de los Ángeles, Ars Musicae De Barcelona, Enrique Gispert having a BPM of 191 with a half-time of 96 BPM and a double-time of 382 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All'imperio d'Amore: 4. O che felice giorno a voce sola | Giulio Caccini, Ensemble Pygmalion, Sophie Junker, Raphael Pichon | B♭ Major | 1 | 6B | 99 BPM | ||
Qual mormorio giocondo: Recitative: Qual mormorio giocondo | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM | ||
Membra Jesu nostri, BuxWV 75: VIIc. Ad faciem: Dum me mori est necesse | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Sistite sidera, coeli motus otiamini: No. 3, Ecce sidus splendidissimus | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla | A Major | 3 | 11B | 93 BPM | ||
Pro Tetuu Kapraňovou | Pavel Jurkovič, Hana Blažíková, Martina Bernášková, Kateřina Ghannudi, Jan Krejča, Martin Rudovský | G Major | 0 | 9B | 68 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Stabat Mater in F Minor, RV 621: No. 8., Fac ut ardeat | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Te Deum: X. Dignare Domine | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
Frauenliebe und Leben, Op. 42 (Arr. Reimann for Soprano and String Quartet): No. 7, An meinem Herzen, an meiner Brust | Robert Schumann, Claudia Barainsky, Delian Quartett | C Minor | 0 | 5A | 72 BPM |