- BPM
- 123
- Key
- A Major
- Camelot
- 11B
Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra) - George Frideric Handel, Lucie Horsch, Charlotte Barbour-Condini, Academy of Ancient Music, Bojan Čičić Information
- Acousticness
- 90%
- Danceability
- 43%
- Energy
- 31%
- Instrumentalness
- 69%
- Liveness
- 28%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 59%
- Popularity
- 16%
- Loudness
- -14.662 dB
Summary
George Frideric Handel, Lucie Horsch, Charlotte Barbour-Condini, Academy of Ancient Music, Bojan Čičić made "Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra)" available on February 22, 2019. The duration of Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra) is about 3 minutes long, at 3:02. Based on our data, "Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 19 in Baroque Journey by Lucie Horsch, Academy of Ancient Music, Bojan Čičić. Based on our statistics, Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra) BPM
The tempo marking of Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra) by George Frideric Handel, Lucie Horsch, Charlotte Barbour-Condini, Academy of Ancient Music, Bojan Čičić is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra) Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | |
 | Rinaldo: Aria: Ogni tua bella stilla | George Frideric Handel, Giacomo Rossi, Aaron Hill, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Major | 4 | 3B | 121 BPM | |
 | Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM | |
 | Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | |
 | Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | |
 | Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Theme & Var. I - VII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 147 BPM | |
 | Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | |
 | Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | |
 | Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | |
 | Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7301034927368164
End: 0.7349317073822021