"La Wally, Act I: Ebben?... Ne andrò lontana (Wally)" by Alfredo Catalani, Orchestra di Roma della RAI, Arturo Basile, Renata Tebaldi was released on 1960. With this song being about 5 minutes long, at 4:38, "La Wally, Act I: Ebben?... Ne andrò lontana (Wally)" by Alfredo Catalani, Orchestra di Roma della RAI, Arturo Basile, Renata Tebaldi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 39 in Catalani: La Wally by Alfredo Catalani, Renata Tebaldi, Arturo Basile, Orchestra di Roma della RAI. Going off of the ISRC code of this track, we detected that the origin of this track is from France. La Wally, Act I: Ebben?... Ne andrò lontana (Wally) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Wally, Act I: Ebben?... Ne andrò lontana (Wally) by Alfredo Catalani, Orchestra di Roma della RAI, Arturo Basile, Renata Tebaldi is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fedora: Fedora, Act II: Amor ti vieta | Umberto Giordano, Orchestra Sinfonica Nazionale della RAI di Torino, Franco Corelli, Arturo Basile | C Major | 3 | 8B | 65 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Carmen / Act 2: Chanson: "Les tringles des sistres tintaient" | Georges Bizet, Elina Garanca, Cristina Antoaneta Pasaroiu, Giuseppina Bridelli, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | C Major | 1 | 8B | 111 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Cinco Canciones Negras: 4. Canción de cuna para dormir a un negrito | Xavier Montsalvatge, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D♭ Major | 0 | 3B | 178 BPM | ||
Mefistofele / Epilogue: "Ogni mortal mister..Giunto sul passo estremo" | Arrigo Boito, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 86 BPM | ||
La wally | Alfredo Catalani, Wilhelmenia Fernandez | E Major | 5 | 12B | 168 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
Fra Diavolo: Sinfonia | Daniel Auber, Orchestra Philharmonica del Teatro Comunale Giuseppe Verdi Trieste, Arturo Basile | D Major | 2 | 10B | 132 BPM |
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