"5 Gesänge, Op. 71: III. Geheimnis" by Johannes Brahms, Elina Garanca, Malcolm Martineau was released on November 6, 2020. The duration of 5 Gesänge, Op. 71: III. Geheimnis is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. 5 Gesänge, Op. 71: III. Geheimnis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Schumann & Brahms Lieder". In this album, this song's track order is #17. 5 Gesänge, Op. 71: III. Geheimnis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Gesänge, Op. 71: III. Geheimnis by Johannes Brahms, Elina Garanca, Malcolm Martineau having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poeme d'un jour, Op. 21: No. 2. Toujours | Gabriel Fauré, Ailyn Perez, Iain Burnside | F♯ Major | 3 | 2B | 80 BPM | ||
Carmen, WD 31 / Act 1: Bizet: Carmen, WD 31: Près des remparts de Séville | Georges Bizet, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | D Major | 0 | 10B | 175 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
Fauré: Three Melodies for Voice and Piano, Op. 23 - 1. Les berceaux | Gabriel Fauré, Maria Belooussova, Wolfgang Holzmair | E♭ Minor | 1 | 2A | 178 BPM | ||
Attila: "Mentre gonfiarsi l'anima" | Giuseppe Verdi, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin | F Major | 2 | 7B | 167 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Falstaff / Act 1: L'Onore! Ladri! | Giuseppe Verdi, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 2 | 8B | 167 BPM | ||
Four Songs, Op.2: 2. The Nightingale and the Rose | Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B Minor | 0 | 10A | 87 BPM |
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