"A Midsummer Night's Dream Op.61 (1843): Wedding March" by John Nelson, Orchestre de chambre de Paris was released on September 17, 2012. With this song being about 5 minutes long, at 4:44, "A Midsummer Night's Dream Op.61 (1843): Wedding March" by John Nelson, Orchestre de chambre de Paris is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Chefs-d'oeuvre pour découvrir la musique classique, so we believe that "A Midsummer Night's Dream Op.61 (1843): Wedding March" is a single. A Midsummer Night's Dream Op.61 (1843): Wedding March is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Midsummer Night's Dream Op.61 (1843): Wedding March by John Nelson, Orchestre de chambre de Paris is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Clos ta paupière | Charles Gounod, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch | B♭ Minor | 0 | 3A | 79 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 10. Chor: Stimmt an die Saiten | Franz Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | D Major | 5 | 10B | 101 BPM | ||
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | ||
Mozart: Trumpet Concerto in D Major: II. Allegro moderato | Leopold Mozart, David Guerrier, Orchestre de chambre de Paris, John Nelson | D Major | 2 | 10B | 97 BPM | ||
Donizetti: Lucrezia Borgia, Act 1 Scene 5: "Il Segreto per esser felici" (Orsini) | Gaetano Donizetti, Vivica Genaux, Orchestre de chambre de Paris, John Nelson | C Major | 2 | 8B | 91 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. "Erbarme dich" | Johann Sebastian Bach, Stephanie Blythe, Emmanuelle Haïm, John Nelson, Orchestre de chambre de Paris | E Minor | 1 | 9A | 76 BPM |
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