Samson: Act III, Scene 1, Thus when the sun from's wat'ry bed
George Frideric Handel, Mark Padmore, The English Concert, Andrew Manze
Handel: As Steals The Morn... Arias & Scenes for Tenor
5:32 June 12, 2007
BPM
131
Key
F♯ Major
Camelot
2B

Embed

Share Link

Samson: Act III, Scene 1, Thus when the sun from's wat'ry bed - George Frideric Handel, Mark Padmore, The English Concert, Andrew Manze Information

Acousticness
91%
Danceability
17%
Energy
3%
Instrumentalness
8%
Liveness
11%
Loudness
56%
Speechiness
4%
Valence
9%
Popularity
Loudness
-26.314 dB

Summary

"Samson: Act III, Scene 1, Thus when the sun from's wat'ry bed" by George Frideric Handel, Mark Padmore, The English Concert, Andrew Manze was released on June 12, 2007. Samson: Act III, Scene 1, Thus when the sun from's wat'ry bed is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Mark Padmore, The English Concert, Andrew Manze's "Handel: As Steals The Morn... Arias & Scenes for Tenor" album is number 11 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Samson: Act III, Scene 1, Thus when the sun from's wat'ry bed's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Samson: Act III, Scene 1, Thus when the sun from's wat'ry bed BPM

We consider the tempo marking of Samson: Act III, Scene 1, Thus when the sun from's wat'ry bed by George Frideric Handel, Mark Padmore, The English Concert, Andrew Manze to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Samson: Act III, Scene 1, Thus when the sun from's wat'ry bed Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto for Strings and Continuo in G Major, RV. 151 Concerto for Strings and Continuo in G Major, RV. 151 "Concerto alla Rustica": I. PrestoAntonio Vivaldi, The English Concert, Trevor PinnockF Minor14A62 BPM
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio ChorusIphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propiceChristoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio ChorusA Minor08A114 BPM
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo by Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic OrchestraSinfonia In D Major, Wq. 183/1, H. 663 : II. LargoCarl Philipp Emanuel Bach, Salzburg Chamber Philharmonic OrchestraF Major07B133 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo by Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaConcerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: LargoArcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaD♭ Major13B118 BPM
Vivaldi - Concerto in D Major Vivaldi - Concerto in D Major "Grosso Mogul" RV 208: I AllegroAntonio Vivaldi, Viktoria Mullova, Il Giardino Armonico, Giovanni AntoniniD♭ Major23B126 BPM
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) by Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut HöllWinterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl)Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut HöllA Major011B119 BPM
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante by Christoph Willibald Gluck, René Jacobs, Freiburger BarockorchesterOrfeo ed Euridice: Act II, Scene 2, Ballo. AndanteChristoph Willibald Gluck, René Jacobs, Freiburger BarockorchesterC Major08B74 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Du bist die Ruh, Op. 59/3, D. 776 by Franz Schubert, Mischa Maisky, Daria HovoraDu bist die Ruh, Op. 59/3, D. 776Franz Schubert, Mischa Maisky, Daria HovoraE♭ Major05B67 BPM
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabileFranz Joseph Haydn, Alban Berg QuartettB♭ Major16B101 BPM
ISRC
USHM10642211
Label
L-M Records/RCA Records

Section: 0.6775445938110352

End: 0.6814405918121338