Staatskapelle Dresden, Otmar Suitner, Rolf Apreck, Theo Adam's 'Die verkaufte Braut, JB 1:100, Act II: "Komm, mein Söhnchen, auf ein Wort - Wer in Lieb' entbrannt"' came out on 1965. Since Die verkaufte Braut, JB 1:100, Act II: "Komm, mein Söhnchen, auf ein Wort - Wer in Lieb' entbrannt" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Smetana: Die verkaufte Braut (Highlights - Sung in German)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Based on our statistics, Die verkaufte Braut, JB 1:100, Act II: "Komm, mein Söhnchen, auf ein Wort - Wer in Lieb' entbrannt"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die verkaufte Braut, JB 1:100, Act II: "Komm, mein Söhnchen, auf ein Wort - Wer in Lieb' entbrannt" by Staatskapelle Dresden, Otmar Suitner, Rolf Apreck, Theo Adam having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?" | Richard Strauss, Cvetka Ahlin, Margarita Sjostedt, Sieglinde Wagner, Judith Hellwig, Gerda Scheyrer, Ilona Steingruber, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622 (Reconstruction for Basset Horn): III. Rondo (Allegro) | Wolfgang Amadeus Mozart, Sabine Meyer, Staatskapelle Dresden, Hans Vonk | A Major | 1 | 11B | 131 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Glinka: Overture from Ruslan and Ludmilla | Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani | D Major | 3 | 10B | 76 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): II. Adagio - Presto | Karoly Botvay | G Minor | 0 | 6A | 87 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM |
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