Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?" - Richard Strauss, Cvetka Ahlin, Margarita Sjostedt, Sieglinde Wagner, Judith Hellwig, Gerda Scheyrer, Ilona Steingruber, Staatskapelle Dresden, Karl Böhm Information

Acousticness: 92%
Danceability: 14%
Energy: 52%
Instrumentalness: 14%
Liveness: 32%
Loudness: 84%
Speechiness: 5%
Valence: 4%
Popularity: 8%
Loudness: -9.776 dB

Summary

"Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?"" by Richard Strauss, Cvetka Ahlin, Margarita Sjostedt, Sieglinde Wagner, Judith Hellwig, Gerda Scheyrer, Ilona Steingruber, Staatskapelle Dresden, Karl Böhm was released on January 1, 1961. Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?" is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 27 in the song's album "Strauss: Elektra". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. The popularity of Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?" BPM

With Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?" by Richard Strauss, Cvetka Ahlin, Margarita Sjostedt, Sieglinde Wagner, Judith Hellwig, Gerda Scheyrer, Ilona Steingruber, Staatskapelle Dresden, Karl Böhm having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Elektra, Op. 58, TrV 223: "Wo bleibt Elektra?" Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Wagner: Rienzi, WWV 49, Act 1 Scene 1: No. 1, Introduktion, "Hier ist's, hier ist's!" (Orsini, Irene, Colonna, Adriano, Raimondo, Rienzi, Chorus)	Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden	E♭ Major	0	5B	70 BPM
Eugene Onegin, Op. 24, TH. 5 / Act II: Finale. "V vashem dome! V vashem dome!"	Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus	E Minor	2	9A	78 BPM
Parsifal, WWV 111 / Act II: "Komm, holder Knabe!"	Richard Wagner, James King, Hannelore Bode, Margarita Kyriaki, Inger Paustin, Dorothea Siebert, Wendy Fine, Sieglinde Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Pierre Boulez	F Major	4	7B	72 BPM
Der lachende Ehemann: Act I - " Sie haben zwei göttliche Augen "	Großes Wiener Rundfunkorchester, Max Schönherr, Franz Borsos, Gerda Scheyrer, Waldemar Kmentt, Lotte Ledl, Viktor Braun, Hilda Längauer, Edi Brosch-Shorp	C Major	2	8B	78 BPM
Die Zauberflöte, K. 620 / Zweiter Aufzug: "In diesen heil'gen Hallen"	Wolfgang Amadeus Mozart, Franz Crass, Berliner Philharmoniker, Karl Böhm	F Minor	0	4A	101 BPM
Der Prinz von Thule, Act II: "Auf des Meeres blauen Wogen"	Rudolf Kattnigg, Großes Wiener Rundfunkorchester, Max Schönherr, Walter Anton Dotzer, Hilde Ceska, Karl Fernbach, Kurt Jagersberger, Karl Böhm, Franz Boheim, Else Rambausek, Karl Schwetter, Alfred Neugebauer, Richard Fortin, Guido Wieland, Felix Pflichter, Toni Kramreithe	D♭ Major	2	3B	71 BPM
Tristan und Isolde / Act 1: "Herr Tristan trete nah!" - "Begehrt, Herrin, was Ihr wünscht"	Richard Wagner, Margaret Price, René Kollo, Dietrich Fischer-Dieskau, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber	C Major	1	8B	97 BPM
Mahler: Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht	Gustav Mahler, Otto Klemperer, Hilde Rössel Majdan, Philharmonia Orchestra	A♭ Major	0	4B	124 BPM
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XIV. Komm! Komm!	Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, Juliane Banse, London Symphony Chorus	B♭ Minor	0	3A	79 BPM
Die Zauberflöte, K. 620 / Zweiter Aufzug: "Ach, ich fühl's, es ist verschwunden"	Wolfgang Amadeus Mozart, Evelyn Lear, Berliner Philharmoniker, Karl Böhm	G Major	2	9B	127 BPM

ISRC: DEF056031001
Label: L-M Records/RCA Records

Section: 1.1193225383758545

End: 1.1234331130981445