Wolfgang Amadeus Mozart, Evelyn Lear, Berliner Philharmoniker, Karl Böhm's 'Die Zauberflöte, K. 620 / Zweiter Aufzug: "Ach, ich fühl's, es ist verschwunden"' came out on January 1, 1964. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists, Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm's "Mozart: Die Zauberflöte" album is number 17 out of 46. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Die Zauberflöte, K. 620 / Zweiter Aufzug: "Ach, ich fühl's, es ist verschwunden"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Zauberflöte, K. 620 / Zweiter Aufzug: "Ach, ich fühl's, es ist verschwunden" by Wolfgang Amadeus Mozart, Evelyn Lear, Berliner Philharmoniker, Karl Böhm to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Nozze di Figaro, K. 492: Atto secondo. Scene 10 & 11. Antonio, il Conte, Susanna, la Contessa, Figaro "Ah, signor... signor" | Wolfgang Amadeus Mozart, Angelika Kirchschlager, Antonio Abete, Concerto Köln, Patrizia Ciofi, René Jacobs, Simon Keenlyside, Véronique Gens | B♭ Major | 2 | 6B | 97 BPM | ||
Così fan tutte, K. 588: Act 1: "Abbraciami, Idol Mio" - Quintetto "Di Scrivermi Ogni Giorno" - Coro "Bella Vita Militar!" / Sc. 6 - Recitativo "Dove Son?" | Wolfgang Amadeus Mozart, Concerto Köln, Bernarda Fink, Pietro Spagnoli, Véronique Gens, Marcel Boone, Werner Güra, Kölner Kammerchor, René Jacobs | F Major | 0 | 7B | 81 BPM | ||
La Bohème / Act 2: "Arranci, datteri!" | Giacomo Puccini, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Mirella Freni, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | F Major | 5 | 7B | 108 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Benedictus - Live | Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Frank Lopardo, Cornelius Hauptmann, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | B Minor | 1 | 10A | 135 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Christoph Strehl, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 1 | 5B | 74 BPM | ||
Symphony No.5 In B Flat, D.485: 4. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Karl Böhm | B♭ Major | 2 | 6B | 150 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2h. Gloria: Cum Sancto Spiritu | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | ||
La Bohème / Act 1: "Chi è là?" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "Cosa sento!...Basilio, in traccia tosto...Giovani" | Wolfgang Amadeus Mozart, Thomas Allen, Lucia Popp, Frederica von Stade, Samuel Ramey, The London Opera Chorus, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 112 BPM | ||
Le nozze di Figaro, K.492 / Act 4: “Gente, gente, all’armi, all’armi” | Wolfgang Amadeus Mozart, Thomas Hampson, Luca Pisaroni, Rolando Villazón, Philippe Sly, Christiane Karg, Sonya Yoncheva, Vocalensemble Rastatt, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 90 BPM |
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