"Wagner: Rienzi, WWV 49, Act 1 Scene 1: No. 1, Introduktion, "Hier ist's, hier ist's!" (Orsini, Irene, Colonna, Adriano, Raimondo, Rienzi, Chorus)" by Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden was released on 1976. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Rienzi by Richard Wagner, Heinrich Hollreiser/Staatskapelle Dresden, Heinrich Hollreiser, Staatskapelle Dresden. The song's track number on the album is #2 out of 39 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Wagner: Rienzi, WWV 49, Act 1 Scene 1: No. 1, Introduktion, "Hier ist's, hier ist's!" (Orsini, Irene, Colonna, Adriano, Raimondo, Rienzi, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Rienzi, WWV 49, Act 1 Scene 1: No. 1, Introduktion, "Hier ist's, hier ist's!" (Orsini, Irene, Colonna, Adriano, Raimondo, Rienzi, Chorus) by Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Wagner: Rienzi, WWV 49, Act 1 Scene 1: No. 1, Introduktion, "Hier ist's, hier ist's!" (Orsini, Irene, Colonna, Adriano, Raimondo, Rienzi, Chorus) being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 3: "So il tuo nome!" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, London Philharmonic Orchestra, Zubin Mehta | F♯ Major | 4 | 2B | 82 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Die Zauberflöte, K.620: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 1 | 5B | 85 BPM | ||
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Il turco in Italia: Overture | Gioachino Rossini, Prague Sinfonia, Christian Benda | D Major | 2 | 10B | 72 BPM | ||
Die Walküre, WWV 86B / Act III: "Hojotoho! Heiaha!" | Richard Wagner, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 93 BPM | ||
War Requiem, Op. 66 / Dies irae: IIa. Dies irae | Benjamin Britten, London Symphony Chorus, The Bach Choir, London Symphony Orchestra | G Major | 1 | 9B | 81 BPM |
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