Part III. Overture in B-Flat Major: VII. Menuet - Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz Information

Acousticness: 85%
Danceability: 7%
Energy: 4%
Instrumentalness: 97%
Liveness: 11%
Loudness: 58%
Speechiness: 4%
Valence: 5%
Popularity: 18%
Loudness: -25.223 dB

Summary

"Part III. Overture in B-Flat Major: VII. Menuet" by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz was released on October 21, 2010. The duration of Part III. Overture in B-Flat Major: VII. Menuet is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Part III. Overture in B-Flat Major: VII. Menuet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Part III. Overture in B-Flat Major: VII. Menuet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Part III. Overture in B-Flat Major: VII. Menuet BPM

With Part III. Overture in B-Flat Major: VII. Menuet by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Part III. Overture in B-Flat Major: VII. Menuet Key

This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sinfonia melodica for 2 Oboes, Strings and Basso Continuo in C Major, TWV 50:2: I. Vivace assai	Georg Philipp Telemann, Albrecht Mayer, Viola Orlovsky, Berliner Barock Solisten, Rainer Kussmaul	C Major	4	8B	119 BPM
Symphony No. 3 in C Major, Op. 2, "The Chaplet": I. Allegro	William Boyce, Aradia Ensemble, Kevin Mallon	B Major	2	1B	119 BPM
Concerto for Descant Recorder, Strings, and Continuo in F: 1. Allegro	Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown	F Major	1	7B	127 BPM
Sinfonia in C major: III. Allegrissimo	Domenico Scarlatti, Margret Köll/Europa Galante/Fabio Biondi, Europa Galante	F♯ Major	3	2B	77 BPM
Pieces de clavecin en concerts: Concert No. 4 in B-Flat Major: I. La pantomime (Loure un peu vive)	Jean-Philippe Rameau, London Baroque	A Major	2	11B	70 BPM
Concerto in G major Seibel 217: 3. Grave	Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel	B♭ Minor	0	3A	126 BPM
Mystery (Rosary) Sonata No. 6, "Christ on the Mount of Olives"*: II. Presto	Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia	D Major	1	10B	110 BPM
Trio Sonata No. 1 in A Minor: II. Fuga	William Boyce, Simon Standage, Collegium Musicum 90	A♭ Minor	1	1A	81 BPM
Telemann: Nouveaux quatuors "Paris Quartets", No. 3 in G Major, TWV 43:G4: I. Prélude	Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt	E Minor	1	9A	78 BPM
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	C Major	2	8B	141 BPM

ISRC: FRZ140920070
Label: L-M Records/RCA Records

Section: 0.5505216121673584

End: 0.5550398826599121