Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt's 'Telemann: Nouveaux quatuors "Paris Quartets", No. 3 in G Major, TWV 43:G4: I. Prélude' came out on January 1, 1964. The duration of Telemann: Nouveaux quatuors "Paris Quartets", No. 3 in G Major, TWV 43:G4: I. Prélude is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Telemann: Nouveaux quatuors "Paris Quartets", No. 3 in G Major, TWV 43:G4: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Telemann: Paris Quartets". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Telemann: Nouveaux quatuors "Paris Quartets", No. 3 in G Major, TWV 43:G4: I. Prélude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Telemann: Nouveaux quatuors "Paris Quartets", No. 3 in G Major, TWV 43:G4: I. Prélude by Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: II. Adagio | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | B♭ Minor | 0 | 3A | 115 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
12 Sonatas of III parts Z790-801: Sonata No. 1 in G minor Z790 | Henry Purcell, Pavlo Besnosiuk, Rachel Podger, Christophe Coin, Christopher Hogwood | F♯ Minor | 1 | 11A | 137 BPM | ||
Brich dem Hungrigen dein Brod, TVWV 1:134: XXVI. 26. Nr. 1 Sopran, Alt, Chor »Brich dem Hungrigen dein Brod« | Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch, Kathrin Lorenzen, Gotthold Schwarz | B♭ Minor | 1 | 3A | 102 BPM | ||
Concerto for Recorder and Bassoon in F Major, TWV 52:F1: I. Largo | Georg Philipp Telemann, Cordevento, Erik Bosgraaf, Marije van der Ende | E Major | 1 | 12B | 89 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
The Tempest: Galliard | Matthew Locke, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 117 BPM |
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