"Symphony No. 2, "The Blackbird": III. Finale: Allegro deciso" by Einar Englund, Estonian State Symphony Orchestra, Peeter Lilje was released on January 1, 1990. Since Symphony No. 2, "The Blackbird": III. Finale: Allegro deciso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 7 in Englund, E.: Symphonies Nos. 1 and 2 by Einar Englund, Estonian State Symphony Orchestra, Peeter Lilje. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. Based on our statistics, Symphony No. 2, "The Blackbird": III. Finale: Allegro deciso's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 2, "The Blackbird": III. Finale: Allegro deciso by Einar Englund, Estonian State Symphony Orchestra, Peeter Lilje is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Prelude (Abduction and Ingrid's Lament) | Paavo Berglund | G Minor | 1 | 6A | 84 BPM | ||
Valkoinen Suite (White Reindeer Suite): Finaali [Finale] | Einar Englund, Lahti Symphony Orchestra, Osmo Vänskä | C Major | 2 | 8B | 75 BPM | ||
Konzertmusik für Streichorchester und Blechbläser, Op. 50: Mäßig schnell, mit Kraft | Paul Hindemith, Leonard Bernstein, New York Philharmonic | D Minor | 3 | 7A | 88 BPM | ||
Six Canonic Studies, Op. 56: No. 1, Con moto egual’e dolce (Arr. for Orchestra by Robin Holloway) | Johannes Brahms, BBC Symphony Orchestra, Paul Mann | C Major | 0 | 8B | 126 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 1, Grazioso | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Suite No.1, K. 045: II. Napolitana. Dotted crotchet = 144 | Igor Stravinsky, BBC Philharmonic, Andrew Davis | E Minor | 2 | 9A | 129 BPM | ||
Violin Concerto in D Minor, Op. 15: I. Moderato con moto - Agitato - Tempo primo | Benjamin Britten, Baiba Skride, ORF Vienna Radio Symphony Orchestra, Marin Alsop | G Major | 2 | 9B | 77 BPM | ||
Le canon, les animas (frontière Bolivie-Chili) | Georges Garvarentz, Raymond Lefèvre | F♯ Major | 1 | 2B | 79 BPM | ||
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM |
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