"Violin Concerto in D Minor, Op. 15: I. Moderato con moto - Agitato - Tempo primo" by Benjamin Britten, Baiba Skride, ORF Vienna Radio Symphony Orchestra, Marin Alsop was released on 2021. Since Violin Concerto in D Minor, Op. 15: I. Moderato con moto - Agitato - Tempo primo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 6 in Britten: Violin Concerto in D Minor, Op. 15 & Double Concerto for Violin, Viola & Orchestra in B Minor by Benjamin Britten, Baiba Skride, ORF Vienna Radio Symphony Orchestra, Marin Alsop, Ivan Vukčević. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Violin Concerto in D Minor, Op. 15: I. Moderato con moto - Agitato - Tempo primo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto in D Minor, Op. 15: I. Moderato con moto - Agitato - Tempo primo by Benjamin Britten, Baiba Skride, ORF Vienna Radio Symphony Orchestra, Marin Alsop is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rollicum Rorum, Op.15, No.6 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon, Amy Dickson | G Major | 2 | 9B | 130 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
A Midsummer Night's Dream / Act 1: "Over Hill, Over Dale" | Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, London Symphony Orchestra | G Major | 2 | 9B | 89 BPM | ||
Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 139 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Os justi | Anton Bruckner, Voces8 | C Major | 0 | 8B | 138 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Johnny: Tell me the truth about love | Benjamin Britten, Della Jones, Steuart Bedford | B♭ Major | 0 | 6B | 108 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM |
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