"Le Corsaire: Act I - "5. Entrance: Medora"" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes was released on October 14, 2011. With Le Corsaire: Act I - "5. Entrance: Medora" being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 5 out of 70. The popularity of Le Corsaire: Act I - "5. Entrance: Medora" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Corsaire: Act I - "5. Entrance: Medora" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
Swan Lake, Op. 20, Act III: "Variazione del principe" | Silvano Belfiore | F♯ Minor | 3 | 11A | 130 BPM | ||
Czech Suite, Op. 39: II. Polka | Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM | ||
Valse-Caprice in E-Flat Major | Anton Rubinstein, Yevgeny Svetlanov, USSR State Symphony Orchestra | E♭ Major | 3 | 5B | 124 BPM | ||
Sinfonia in F Major: I. Allegro | Theodor von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | G Major | 3 | 9B | 129 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 17 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | F♯ Minor | 1 | 11A | 116 BPM | ||
Act II. Waltz, Odetta's variations, the Dance of the small swans | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A Major | 0 | 11B | 181 BPM | ||
La Bayadere, Act III: 44. "Variation - 1st Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 111 BPM | ||
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM | ||
The Talisman. Female Variation | Riccardo Drigo, MetodoVadim | A Minor | 1 | 8A | 93 BPM |
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