- BPM
- 86
- Key
- F♯ Major
- Camelot
- 2B
Czech Suite, Op. 39: II. Polka - Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar Information
- Acousticness
- 97%
- Danceability
- 12%
- Energy
- 5%
- Instrumentalness
- 90%
- Liveness
- 8%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 10%
- Loudness
- -20.111 dB
Summary
"Czech Suite, Op. 39: II. Polka" by Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar was released on 2006. With this song being about 5 minutes long, at 5:13, "Czech Suite, Op. 39: II. Polka" by Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 9 in Dvorák: Czech Suite, Op. 39 & Overtures by Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Czech Suite, Op. 39: II. Polka is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Czech Suite, Op. 39: II. Polka BPM
The tempo marking of Czech Suite, Op. 39: II. Polka by Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Czech Suite, Op. 39: II. Polka Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | E Minor | 1 | 9A | 125 BPM | |
 | Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | |
 | Concerto For 2 Violins, Strings, And Continuo In D Minor, BWV 1043: 3. Allegro | Johann Sebastian Bach, Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | D Minor | 4 | 7A | 113 BPM | |
 | Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | |
 | 8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | |
 | Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | |
 | The Birds, P. 154: 1. Prelude | Ottorino Respighi, San Francisco Symphony, Edo de Waart | A Major | 1 | 11B | 142 BPM | |
 | Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Simon Trpčeski, Andrei Kavalinski, Cristian Măcelaru, Janáček Philharmonic Ostrava | A♭ Major | 1 | 4B | 75 BPM | |
 | 7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | |
 | Oboe Concerto No. 1 in D Minor: I. Allegro | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | D Minor | 1 | 7A | 134 BPM |
- ISRC
- NLY330603485
- Label
- L-M Records/RCA Records
Section: 0.6285059452056885
End: 0.6324429512023926