"Lully, Lulla, Lullay" by Philip Stopford, St. Paul's Cathedral Choir, Andrew Carwood was released on October 9, 2015. With this song being about 5 minutes long, at 4:41, "Lully, Lulla, Lullay" by Philip Stopford, St. Paul's Cathedral Choir, Andrew Carwood is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 19 in Carols With St. Paul's Cathedral Choir by St. Paul's Cathedral Choir, Andrew Carwood. Lully, Lulla, Lullay is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lully, Lulla, Lullay by Philip Stopford, St. Paul's Cathedral Choir, Andrew Carwood is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lord, for thy tender mercy's sake | Richard Farrant, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | A♭ Major | 0 | 4B | 78 BPM | ||
Lully, Lulla, Lullay | Philip Stopford, Utah State University Chorale, Cory Evans | D♭ Major | 1 | 3B | 132 BPM | ||
Libera me, WAB 21 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | F Major | 2 | 7B | 70 BPM | ||
O for a Thousand Tongues | Philip Stopford, The Ecclesium Choir | E♭ Major | 2 | 5B | 67 BPM | ||
Hawley: Seven Madrigals, Io Son la Primavera | Chanticleer | D Minor | 1 | 7A | 72 BPM | ||
Collect of St Luke | Philip Stopford, The Ecclesium Choir | D♭ Major | 0 | 3B | 137 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): IV. Domine Fili | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | D Major | 0 | 10B | 60 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Magnificat in D Major | Herbert Brewer, Gloucester Cathedral Choir, Mark Lee, John Sanders | F Major | 0 | 7B | 140 BPM |
Section: 0.42949819564819336
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