- BPM
- 178
- Key
- F Major
- Camelot
- 7B
Piano Concerto N°21 "Elvira Madigan" in C major, K 467: II. Andante - The London Symphony Orchestra - Philip Fowke Information
- Acousticness
- 96%
- Danceability
- 14%
- Energy
- 11%
- Instrumentalness
- 96%
- Liveness
- 11%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 20%
- Loudness
- -20.689 dB
Summary
"Piano Concerto N°21 "Elvira Madigan" in C major, K 467: II. Andante" by The London Symphony Orchestra - Philip Fowke was released on January 11, 2010. The duration of Piano Concerto N°21 "Elvira Madigan" in C major, K 467: II. Andante is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Piano Concerto N°21 "Elvira Madigan" in C major, K 467: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 100 in the song's album "The London Symphony Orchestra: The Top 100 of Classical Music". In this album, this song's track order is #6. The popularity of Piano Concerto N°21 "Elvira Madigan" in C major, K 467: II. Andante is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Piano Concerto N°21 "Elvira Madigan" in C major, K 467: II. Andante BPM
With Piano Concerto N°21 "Elvira Madigan" in C major, K 467: II. Andante by The London Symphony Orchestra - Philip Fowke having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Piano Concerto N°21 "Elvira Madigan" in C major, K 467: II. Andante Key
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Girl With the Flaxen Hair | Peter Knight, Royal Philharmonic Orchestra | F♯ Major | 3 | 2B | 84 BPM | |
 | Liebestraum No. 3 in A-Flat Major, S. 541/3 | Franz Liszt, Arthur Fiedler, Boston Pops Orchestra | A♭ Major | 1 | 4B | 108 BPM | |
 | Cavatina | Craig Ogden | E Major | 1 | 12B | 79 BPM | |
 | The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | |
 | Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | |
 | The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | |
 | Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | |
 | La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM | |
 | Fantasia on British Sea Songs: Fantasia on British Sea Songs (excerpt) | Sir Henry Wood, BBC Concert Orchestra, Barry Wordsworth | A Major | 1 | 11B | 136 BPM | |
 | Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6337637901306152
End: 0.6385793685913086