Cavatina - Craig Ogden Information

Acousticness
99%
Danceability
30%
Energy
9%
Instrumentalness
94%
Liveness
10%
Loudness
62%
Speechiness
4%
Valence
36%
Popularity
Loudness
-22.874 dB

Summary

Craig Ogden's 'Cavatina' came out on May 24, 2011. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Greatest Relaxing Pieces". In this album, this song's track order is #12. Cavatina is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cavatina BPM

With Cavatina by Craig Ogden having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Cavatina Key

E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cavatina by Craig OgdenCavatinaCraig OgdenA Major111B72 BPM
Ladies In Lavender by Royal Philharmonic Orchestra, Nigel HessLadies In LavenderRoyal Philharmonic Orchestra, Nigel HessD Major210B91 BPM
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) by Ottorino Respighi, Seattle Symphony Orchestra, Gerard SchwarzBach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645)Ottorino Respighi, Seattle Symphony Orchestra, Gerard SchwarzE♭ Major05B110 BPM
Carnival of the Animals, R. 125: XIII. The Swan by Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej LenardCarnival of the Animals, R. 125: XIII. The SwanCamille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej LenardG Major09B79 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) by Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter SusskindBruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt)Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter SusskindE♭ Major15B105 BPM
Parigi O Cara by The Commander-In-Chief, Craig OgdenParigi O CaraThe Commander-In-Chief, Craig OgdenA Major111B96 BPM
Ave Maria (after J.S. Bach) by London Philharmonic OrchestraAve Maria (after J.S. Bach)London Philharmonic OrchestraG Major29B89 BPM
Ave Maria, S. 558/12 by Franz Schubert, Lang LangAve Maria, S. 558/12Franz Schubert, Lang LangB♭ Major06B64 BPM
Concerto Antico for Guitar & Small Orchestra: 3. Cantilena by Craig OgdenConcerto Antico for Guitar & Small Orchestra: 3. CantilenaCraig OgdenD Major010B114 BPM
Swan Lake Suite, Op. 20: Scène by London Philharmonic OrchestraSwan Lake Suite, Op. 20: ScèneLondon Philharmonic OrchestraE Minor39A77 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7806544303894043

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