Nicola Porpora, Juan Sancho, Capella Cracoviensis, Jan Tomasz Adamus made "Germanico in Germania / Act 3: "Saggio è il cultor"" available on November 3, 2017. The duration of Germanico in Germania / Act 3: "Saggio è il cultor" is about 3 minutes long, at 3:27. Based on our data, "Germanico in Germania / Act 3: "Saggio è il cultor"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 69 in the song's album "Porpora: Germanico in Germania". In this album, this song's track order is #65. Germanico in Germania / Act 3: "Saggio è il cultor" is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Germanico in Germania / Act 3: "Saggio è il cultor" by Nicola Porpora, Juan Sancho, Capella Cracoviensis, Jan Tomasz Adamus having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate pueri in G Major, RV 601 "Salmo 112": VIII. Sicut erat in principio (Allegro non molto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | D♭ Major | 1 | 3B | 93 BPM | ||
Orlando Furioso, RV 728, Act I, Scene 5: Nel profondo | Antonio Vivaldi, Jean-Christophe Spinosi, Marie-Nicole Lemieux, Ensemble Matheus | G Major | 3 | 9B | 132 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Strike the viol | Henry Purcell, Carlos Mena, Philippe Pierlot, Ricercar Consort | G Major | 1 | 9B | 172 BPM | ||
Te Deum: V. Tu rex gloriae Christe | Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Monteverdi: Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Christina Pluhar, Philippe Jaroussky | G Major | 0 | 9B | 134 BPM | ||
Rinaldo, HWV 7a / Act 1: "Cara sposa, amante cara" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | E♭ Minor | 2 | 2A | 114 BPM | ||
L'Olimpiade, RV 725: Siam navi all'onde | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | G Major | 2 | 9B | 82 BPM | ||
Polifemo: Recitativo - Galatea, Aci I | Nicola Porpora, Julia Lezhneva, Yuriy Mynenko, George Petrou, Armonia Atenea | D♭ Major | 2 | 3B | 99 BPM |
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