- BPM
- 57
- Key
- F Major
- Camelot
- 7B
Christmas Oratorio, BWV 248: No. 10, Sinfonia - James Galway Information
- Acousticness
- 99%
- Danceability
- 16%
- Energy
- 3%
- Instrumentalness
- 91%
- Liveness
- 10%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 14%
- Popularity
- 1%
- Loudness
- -24.177 dB
Summary
"Christmas Oratorio, BWV 248: No. 10, Sinfonia" by James Galway had its release date on September 25, 2018. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Christmas Oratorio, BWV 248: No. 10, Sinfonia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Julehygge - Peaceful Christmas Classics" album is number 16 out of 50. On top of that, United States appears to be the country where this track was created. Christmas Oratorio, BWV 248: No. 10, Sinfonia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Christmas Oratorio, BWV 248: No. 10, Sinfonia BPM
We consider the tempo marking of Christmas Oratorio, BWV 248: No. 10, Sinfonia by James Galway to be Lento (slowly) because the track has a tempo of 57 BPM, a half-time of 28BPM, and a double-time of 114 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Christmas Oratorio, BWV 248: No. 10, Sinfonia Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | |
 | Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 68 BPM | |
 | Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | |
 | Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | |
 | Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | |
 | The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis: Contrapunctus 9 a 4 alla Duodecima | Johann Sebastian Bach, Carmel Kaine, Malcolm Latchem, Stephen Shingles, Neil Black, Tess Miller, Celia Nicklin, Cecil James, Kenneth Heath, John Gray, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 3 | 7A | 94 BPM | |
 | Waltz, D. 1/14, "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | F♯ Major | 0 | 2B | 113 BPM | |
 | Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | |
 | Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM |
- ISRC
- USBC18600177
- Label
- L-M Records/RCA Records