Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni made "Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando" available on January 22, 2021. With Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 24 in Bach - Busoni: Goldberg Variations & Other Works by Ferruccio Busoni, Johann Sebastian Bach, Chiyan Wong. Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando by Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Languet anima mea BWV deest 1006: II. Aria: O vulnera, vita coelestis | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Concerto for Four Harpsichords and Strings in A Minor, BWV 1065: I. Without Tempo Indication | Johann Sebastian Bach, Musica Amphion, Pieter-Jan Belder, Siebe Henstra, Menno van Delft, Vincent van Laar | G Major | 1 | 9B | 122 BPM | ||
French Suite No. 6 in E Major, BWV 817 (Arr. for Harpsichord, Piano, Organ & Vibraphone by Guoda Gedvilaitė): IV. Gavotte | Johann Sebastian Bach, Guoda Gedvilaitė | E Major | 1 | 12B | 74 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
6 Kleine Präludien: No. 5 in E Major, BWV 937 | Inge Rosar | D Minor | 1 | 7A | 96 BPM | ||
Prelude Number 5 | The Piano Girl | B Minor | 4 | 10A | 156 BPM | ||
Summer Angels and Sighs | Dragan Mrkalj | A Minor | 4 | 8A | 120 BPM | ||
Prelude Number 8 | The Piano Girl | B Minor | 4 | 10A | 156 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM |
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