Jean-Baptiste Lully, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe made "Armide: Prologue: Menuets I & II. Chœur :" Que dans le temple de mémoire"" available on 1993. The duration of Armide: Prologue: Menuets I & II. Chœur :" Que dans le temple de mémoire" is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Armide: Prologue: Menuets I & II. Chœur :" Que dans le temple de mémoire"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 7 out of 39. The popularity of Armide: Prologue: Menuets I & II. Chœur :" Que dans le temple de mémoire" is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Armide: Prologue: Menuets I & II. Chœur :" Que dans le temple de mémoire" by Jean-Baptiste Lully, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Thésée, LWV 51, Prologue: "Qu'il passe au gré de ses désirs" (Mars, Vénus, Bacchus, Cérès, chœur de moissonneurs, de sylvains et de bacchantes) | Jean-Baptiste Lully, Guilhem Worms, Les Talens Lyriques, Chœur De Chambre De Namur, Christophe Rousset | F Major | 2 | 7B | 166 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Thésée, LWV 51, Prologue: "Partez, allez, volez, redoutable Ballone" (Mars, Vénus) | Jean-Baptiste Lully, Thaïs Raï-Westphal, Guilhem Worms, Les Talens Lyriques, Christophe Rousset | F Major | 1 | 7B | 105 BPM | ||
Concerto for Oboe, Violin, Strings and Continuo in B Flat Major, RV 548: II. Largo | Antonio Vivaldi, David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 80 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Concerto Á 5 In E Minor: 1. Allegro non molto | Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 1 | 2A | 106 BPM | ||
Le Concert Royal de la nuit: Ouverture | Anonymous, Ensemble Correspondances, Sébastien Daucé | B Major | 0 | 1B | 84 BPM |
Section: 0.7087268829345703
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