Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras made "Pedro Y El Lobo (Peter and the Wolf): "Pedro, que lo había visto todo, pensaba..." - Narration in Spain" available on January 1, 1990. The duration of Pedro Y El Lobo (Peter and the Wolf): "Pedro, que lo había visto todo, pensaba..." - Narration in Spain is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Pedro Y El Lobo (Peter and the Wolf): "Pedro, que lo había visto todo, pensaba..." - Narration in Spain's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Prokofiev: Pedro y el Lobo; Obertura sobre temas; Sinfonia Classica". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Pedro Y El Lobo (Peter and the Wolf): "Pedro, que lo había visto todo, pensaba..." - Narration in Spain is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pedro Y El Lobo (Peter and the Wolf): "Pedro, que lo había visto todo, pensaba..." - Narration in Spain by Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | D Major | 1 | 10B | 154 BPM | ||
Walpurgis Night. Ballet music from Faust Bacchante and Bacchus | Victor Fedotov, Academic Symphony Orchestra Of The St. Petersburg Philharmonic | E♭ Major | 1 | 5B | 140 BPM | ||
Alexander Nevsky: VII. Alexander's Entry into Pskov | Sergei Prokofiev, Irina Gelahova, Stanislavsky Chorus, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Variations on a theme of Frank Bridge, Op.10: 3. March | Benjamin Britten, English Chamber Orchestra | D Minor | 2 | 7A | 165 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni, Creator...Da gaudiorum praemia" | Gustav Mahler, Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna Boys' Choir, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 4 | 5B | 97 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
Oedipus Rex: Epilogue | Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft | D♭ Major | 6 | 3B | 90 BPM | ||
Spartacus, Act I: Phrygia's dance and scene of separation (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Minor | 1 | 9A | 111 BPM | ||
Cinderella, Op. 87: 13. Summer Fairy | Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev | F Minor | 0 | 4A | 116 BPM |
Section: 0.5131797790527344
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