"Walpurgis Night. Ballet music from Faust Bacchante and Bacchus" by Victor Fedotov, Academic Symphony Orchestra Of The St. Petersburg Philharmonic had its release date on February 7, 2006. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Victor Fedotov Conducts by Victor Fedotov, Academic Symphony Orchestra Of The St. Petersburg Philharmonic. The song's track number on the album is #3 out of 10 tracks. Based on our statistics, Walpurgis Night. Ballet music from Faust Bacchante and Bacchus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Walpurgis Night. Ballet music from Faust Bacchante and Bacchus by Victor Fedotov, Academic Symphony Orchestra Of The St. Petersburg Philharmonic has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Walpurgis Night. Ballet music from Faust Bacchante and Bacchus being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act I: La Romanesca (Danse pour deux dames et deux pages) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E Minor | 1 | 9A | 106 BPM | ||
Giselle / Act 1: Pas de deux des jeunes paysans (Valse) | Adolphe Adam, Franz Burgmüller, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 0 | 1B | 127 BPM | ||
Le carnaval de Londres, Op. 172: XII. Arrêt du Cortége - Petite Marche | Darius Milhaud, Leningrad Philharmonic Chamber Ensemble, Victor Fedotov | G Minor | 1 | 6A | 93 BPM | ||
Khovanshchina - Compl. & Orch. Rimsky-Korsakov: Prelude | Modest Mussorgsky, Orchestre de la Suisse Romande, Ernest Ansermet | F♯ Major | 1 | 2B | 177 BPM | ||
Strauss, Johann II : Egyptian March Op.335 | Johann Strauss II, Daniel Barenboim, Chicago Symphony Orchestra, Chris Willis | E Minor | 2 | 9A | 100 BPM | ||
Giselle: Act II: Valse | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 85 BPM | ||
Raymonda, Act II: Variaiton 2 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 92 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Symphony In E Major, WWV 35: II. Adagio Cantabile | Richard Wagner, Tokyo Metropolitan Symphony Orchestra, Hiroshi Wakasugi | A Major | 0 | 11B | 70 BPM | ||
Liebestraum No. 3 | Franz Liszt, Arthur Fiedler | A♭ Major | 1 | 4B | 79 BPM |