"Monteverdi: Hor che'l ciel e la terra e'l vento tace, SV 147" by Claudio Monteverdi, Christina Pluhar, Michaela Riener, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, Joao Fernandes was released on January 5, 2009. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, Christina Pluhar's "Monteverdi: Teatro d'amore" album is number 11 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Monteverdi: Hor che'l ciel e la terra e'l vento tace, SV 147 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monteverdi: Hor che'l ciel e la terra e'l vento tace, SV 147 by Claudio Monteverdi, Christina Pluhar, Michaela Riener, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, Joao Fernandes to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fandango | Antonio Soler, Christina Pluhar | A Minor | 4 | 8A | 110 BPM | ||
Ciaccona di Paradiso e dell'Inferno | Anonymous, Christina Pluhar | F Major | 2 | 7B | 113 BPM | ||
Boësset / Arr. Pluhar: À la fin de cette bergère | Antoine Boësset, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | G Major | 0 | 9B | 91 BPM | ||
Sances: "Presso l'onde tranquillo" | Giovanni Felice Sances, Christina Pluhar, Philippe Jaroussky | C Major | 1 | 8B | 125 BPM | ||
Monteverdi: Madrigals, Book 7: Interrotte speranze, SV 132 | Claudio Monteverdi, Christina Pluhar, Cyril Auvity, Jan Van Elsacker | D Minor | 1 | 7A | 110 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto secondo: Scena terza (Choro) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar | G Major | 1 | 9B | 98 BPM | ||
Rossi: Il palazzo incantato, Prologue: "Vaghi rivi" (Pittura) | Luigi Rossi, Christina Pluhar, Véronique Gens | G Minor | 1 | 6A | 109 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Balletto delle Virtù | Stefano Landi, L'Arpeggiata, Christina Pluhar | F Major | 2 | 7B | 137 BPM | ||
Handel: Partenope, HWV 27, Act 1: "Bramo restar, ma no" (Armindo) | George Frideric Handel, Philippe Jaroussky, Riccardo Minasi, Il Pomo D'oro | A♭ Major | 2 | 4B | 115 BPM |
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