Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar made "Rappresentatione di Anima, et di Corpo, Atto secondo: Scena terza (Choro)" available on 2004. With Rappresentatione di Anima, et di Corpo, Atto secondo: Scena terza (Choro) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 31 in Cavalieri: Rappresentatione di Anima, et di Corpo by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar. In terms of popularity, Rappresentatione di Anima, et di Corpo, Atto secondo: Scena terza (Choro) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Rappresentatione di Anima, et di Corpo, Atto secondo: Scena terza (Choro) by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jubilate Deo | Cristobal de Morales, Stile Antico | B♭ Minor | 2 | 3A | 88 BPM | ||
Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
Lute Sonata No. 11 in D Minor: I. Fantasia | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Air espagnol: No ay en la tierra | Charles Tessier, Claire Lefilliâtre, Bruno Le Levreur, Jan Van Elsacker, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D♭ Major | 0 | 3B | 75 BPM | ||
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
La traditora: Saltarello, "La traditora" | Marco Dall'Aquila, Shirley Rumsey | B♭ Major | 0 | 6B | 138 BPM | ||
Frescos ayres del prado | Antoine Boësset, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 104 BPM | ||
Rappresentatione di anima et di corpo: Proemio | Emilio de' Cavalieri, Serena Malcangi, Loredana Gintoli, Akademie für Alte Musik Berlin, René Jacobs | G Major | 1 | 9B | 85 BPM | ||
Missa Quadragesimalis, MH 552: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 40 BPM |
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