"Monteverdi: Madrigals, Book 7: Interrotte speranze, SV 132" by Claudio Monteverdi, Christina Pluhar, Cyril Auvity, Jan Van Elsacker was released on January 5, 2009. The duration of Monteverdi: Madrigals, Book 7: Interrotte speranze, SV 132 is about 3 minutes long, at 3:11. Based on our data, "Monteverdi: Madrigals, Book 7: Interrotte speranze, SV 132" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Claudio Monteverdi, Christina Pluhar's "Monteverdi: Teatro d'amore" album is number 8 out of 16. In terms of popularity, Monteverdi: Madrigals, Book 7: Interrotte speranze, SV 132 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monteverdi: Madrigals, Book 7: Interrotte speranze, SV 132 by Claudio Monteverdi, Christina Pluhar, Cyril Auvity, Jan Van Elsacker to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tarantela II | Rolf Lislevand, Santiago De Murcia | D♭ Major | 2 | 3B | 103 BPM | ||
A che più l'arco tendere | Stefano Landi, L'Arpeggiata, Christina Pluhar | F Major | 0 | 7B | 117 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Cavalli: L'Eliogabalo: Sinfonia | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 98 BPM | ||
Pluhar: Orfeo Chamán, Prologue: La selva (Butes) | Christina Pluhar, Vincenzo Capezzuto, L'Arpeggiata | D Minor | 2 | 7A | 132 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
Sogna fiore mio | Christina Pluhar, Ambrogio Sparagna, Lucilla Galeazzi, Marco Beasley, Alfio Antico, L'Arpeggiata | A Minor | 0 | 8A | 120 BPM | ||
Ninna Nanna sopra la romanesca | L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi | B Minor | 0 | 10A | 131 BPM | ||
Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM |
Section: 0.6693146228790283
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