"A che più l'arco tendere" by Stefano Landi, L'Arpeggiata, Christina Pluhar was released on 2001. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Stefano Landi, L'Arpeggiata, Christina Pluhar's "Landi: Homo fugit velut umbra..." album is number 8 out of 15. On top of that, France appears to be the country where this track was created. In terms of popularity, A che più l'arco tendere is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A che più l'arco tendere by Stefano Landi, L'Arpeggiata, Christina Pluhar to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Ostinato vo' seguire: Ostinato vo' seguire | Marchetto Cara, Marco Beasley, Guido Morini, Stefano Rocco, Franco Pavan, Fabio Accurso, Bruce Dickey | G Major | 2 | 9B | 107 BPM | ||
Il ritorno d'Ulisse in patria, SV 325, Act I: Prologue. Mortal cosa son io | Claudio Monteverdi, Hana Blažíková, Gianluca Buratto, Carlo Vistoli, Silvia Frigato, English Baroque Soloists, John Eliot Gardiner | A Minor | 1 | 8A | 116 BPM | ||
La Villanella, Prima parte, Pensieri amorosi: III. Occhi soli d'amore | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Pino de Vittorio, Hans-Jörg Mammel | D Minor | 1 | 7A | 77 BPM | ||
Passacaglia della vita | Stefano Landi, Ed Lyon, Theatre of the Ayre, Elizabeth Kenny | A♭ Minor | 3 | 1A | 122 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Pergolesi: Confitebor: II. Confessor et magnificentia | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 79 BPM | ||
Nisi Dominus (Psalm 126), R.608: 2. "Vanum est vobis" (Largo) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | B Minor | 0 | 10A | 111 BPM | ||
Sem saber | Carlos Paredes, Christina Pluhar, Vasco Graça Moura | F Major | 1 | 7B | 130 BPM | ||
Moulinié / Arr. Pluhar: Concert des différents oyseaux | Étienne Moulinié, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | F Major | 1 | 7B | 123 BPM |
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