- BPM
- 77
- Key
- D Minor
- Camelot
- 7A
La Villanella, Prima parte, Pensieri amorosi: III. Occhi soli d'amore - Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Pino de Vittorio, Hans-Jörg Mammel Information
- Acousticness
- 97%
- Danceability
- 30%
- Energy
- 14%
- Instrumentalness
- 1%
- Liveness
- 9%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 10%
- Popularity
- 12%
- Loudness
- -19.757 dB
Summary
"La Villanella, Prima parte, Pensieri amorosi: III. Occhi soli d'amore" by Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Pino de Vittorio, Hans-Jörg Mammel was released on 2000. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Johannette Zomer, Pino de Vittorio's "Kapsberger: La Villanella" album is number 3 out of 22. La Villanella, Prima parte, Pensieri amorosi: III. Occhi soli d'amore is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Villanella, Prima parte, Pensieri amorosi: III. Occhi soli d'amore BPM
We consider the tempo marking of La Villanella, Prima parte, Pensieri amorosi: III. Occhi soli d'amore by Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Pino de Vittorio, Hans-Jörg Mammel to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
La Villanella, Prima parte, Pensieri amorosi: III. Occhi soli d'amore Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Toccata (Improvisation) | Giovanni Girolamo Kapsberger, Tommie Andersson, Samantha Cohen, Linda Kent, Australian Brandenburg Orchestra, Paul Dyer | F♯ Major | 1 | 2B | 83 BPM | |
 | Bergamasca | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 133 BPM | |
 | Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | |
 | Lady Hunsdon's Puffe, P. 54 | John Dowland, Bor Zuljan | F Minor | 1 | 4A | 95 BPM | |
 | Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) | François Couperin, Yasunori Imamura | D Minor | 1 | 7A | 97 BPM | |
 | Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | |
 | Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | |
 | Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | |
 | Fugue in G Minor, BWV 1000 | Johann Sebastian Bach, Evangelina Mascardi | F♯ Minor | 1 | 11A | 80 BPM | |
 | Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5296809673309326
End: 0.5336575508117676