Antonio Soler, Christina Pluhar's 'Fandango' came out on January 16, 2012. Since Fandango is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Christina Pluhar's "Los Pajaros Perdidos" album is number 19 out of 20. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Fandango is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Fandango by Antonio Soler, Christina Pluhar to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Keyboard Sonata No. 125 in C Minor: Harpsichord Sonata No. 125 in C Minor | Antonio Soler, Gilbert Rowland | E Major | 5 | 12B | 151 BPM | ||
Because (Arr. for baroque orchestra and saxophone) | Mccartney, Lennon, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | B Minor | 0 | 10A | 74 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto secondo: Scena ottava (Angelo Custode, Anima, Corpo, Angeli nel Cielo, che s'apre) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Núria Rial, Johannette Zomer, Marco Beasley, Céline Vieslet, Béatrice Mayo-Felip, Vincent Lesage | G Major | 1 | 9B | 110 BPM | ||
Moulinié / Arr. Pluhar: Orilla del claro Tajo | Étienne Moulinié, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | F Minor | 3 | 4A | 144 BPM | ||
En vacances: Où l'on entend une vieille boite à musique: | Déodat de Séverac, Anne Queffélec | B♭ Major | 2 | 6B | 106 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 0 BPM | ||
De Visée: Chaconne in G Minor | Robert de Visée, Christina Pluhar, L'Arpeggiata, Josep María Martí Duran | F♯ Minor | 1 | 11A | 120 BPM | ||
Ciaccona, Pt. 2 | L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi | C Major | 4 | 8B | 115 BPM |
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