"Drink with Me / Do You Hear the People Sing / The Attack / Red & Black (Reprise)" by Bournemouth Symphony Orchestra, Seann Alderking was released on January 1, 1993. The duration of Drink with Me / Do You Hear the People Sing / The Attack / Red & Black (Reprise) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Drink with Me / Do You Hear the People Sing / The Attack / Red & Black (Reprise)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Symphonic Pieces from Les Misérables and Miss Saigon". In this album, this song's track order is #13. Drink with Me / Do You Hear the People Sing / The Attack / Red & Black (Reprise) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Drink with Me / Do You Hear the People Sing / The Attack / Red & Black (Reprise) by Bournemouth Symphony Orchestra, Seann Alderking having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36, "Enigma": Var. VII (Troyte) | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
Route 66 | Michael Daugherty, Bournemouth Symphony Orchestra, Marin Alsop | B♭ Major | 4 | 6B | 90 BPM | ||
Dido and Aeneas, Z. 626: When I am laid in earth, "Dido's Lament" (arr. L. Stokowski) | Henry Purcell, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Minor | 0 | 6A | 73 BPM | ||
Divertimento: IV. Samba: Allegro giusto | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Pride and Prejudice Suite: II. Canon Collins and Lady Catherine de Bourgh | Carl Davis, Philharmonia Orchestra | C Minor | 1 | 5A | 68 BPM | ||
English Folk Song Suite: IV. March "Folk Songs from Somerset" | Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | B♭ Major | 2 | 6B | 125 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Var. XIII (***): Romanza | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
Pavane and Gigue (arr. L. Stokowski for orchestra) | William Byrd, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | A Minor | 1 | 8A | 77 BPM | ||
On the Town: I. The Great Lover | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 109 BPM |
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