"Pride and Prejudice Suite: II. Canon Collins and Lady Catherine de Bourgh" by Carl Davis, Philharmonia Orchestra was released on April 5, 2011. With this song being about 5 minutes long, at 5:06, "Pride and Prejudice Suite: II. Canon Collins and Lady Catherine de Bourgh" by Carl Davis, Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carl Davis's "Heroines in Music" album is number 11 out of 19. On top of that, United Kingdom appears to be the country where this track was created. Pride and Prejudice Suite: II. Canon Collins and Lady Catherine de Bourgh is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pride and Prejudice Suite: II. Canon Collins and Lady Catherine de Bourgh by Carl Davis, Philharmonia Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": I. Allegro vivace | Felix Mendelssohn, Philharmonia Orchestra, Otto Klemperer | E Major | 1 | 12B | 144 BPM | ||
Entering The Garden | Zbigniew Preisner | F Major | 1 | 7B | 124 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
Mozart: Violin Sonata in C Major, K. 296: III. Rondo. Allegro | Wolfgang Amadeus Mozart, Hiro Kurosaki | C Major | 1 | 8B | 89 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
Arabesque (Debussy) | Thomas Adès | F♯ Minor | 1 | 11A | 67 BPM | ||
Cranford: The Examination | Carl Davis, Unknown Artist | G Major | 1 | 9B | 133 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': III. Molto vivace | Antonín Dvořák, Škampa Quartet | F Major | 1 | 7B | 70 BPM | ||
Little Women | Alexandre Desplat | C Major | 3 | 8B | 156 BPM | ||
Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM |
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