- BPM
- 107
- Key
- C Minor
- Camelot
- 5A
Variations on an Original Theme, Op. 36, "Enigma": Var. VII (Troyte) - Edward Elgar, Bournemouth Symphony Orchestra, George Hurst Information
- Acousticness
- 93%
- Danceability
- 22%
- Energy
- 19%
- Instrumentalness
- 89%
- Liveness
- 8%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 14%
- Popularity
- 3%
- Loudness
- -20.547 dB
Summary
"Variations on an Original Theme, Op. 36, "Enigma": Var. VII (Troyte)" by Edward Elgar, Bournemouth Symphony Orchestra, George Hurst was released on December 4, 1997. With Variations on an Original Theme, Op. 36, "Enigma": Var. VII (Troyte) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 8 out of 17 in Elgar: Enigma Variations / In the South / Coronation March by Edward Elgar. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Variations on an Original Theme, Op. 36, "Enigma": Var. VII (Troyte) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Variations on an Original Theme, Op. 36, "Enigma": Var. VII (Troyte) BPM
The tempo marking of Variations on an Original Theme, Op. 36, "Enigma": Var. VII (Troyte) by Edward Elgar, Bournemouth Symphony Orchestra, George Hurst is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Variations on an Original Theme, Op. 36, "Enigma": Var. VII (Troyte) Key
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | |
 | Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | |
 | Symphony No. 3, Op. 88 (elaborated A. Payne): II. Scherzo: Allegretto | Anthony Payne, Edward Elgar, Bournemouth Symphony Orchestra, Paul Daniel | E Minor | 0 | 9A | 176 BPM | |
 | Variations on a Theme by Tchaikovsky, Op. 35a: I. Theme. Moderato | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | E Major | 1 | 12B | 86 BPM | |
 | Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | |
 | Lady Radnor's Suite: V. Slow Minuet | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | B♭ Major | 0 | 6B | 98 BPM | |
 | Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | |
 | Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | |
 | Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | |
 | Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM |
- ISRC
- HKI199703708
- Label
- L-M Records/RCA Records
Section: 0.7056989669799805
End: 0.7138795852661133