"Ave Maria, S. 558 (after Schubert, D. 839)" by Franz Liszt, Benjamin Grosvenor was released on February 19, 2021. With this song being about 5 minutes long, at 5:28, "Ave Maria, S. 558 (after Schubert, D. 839)" by Franz Liszt, Benjamin Grosvenor is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, Benjamin Grosvenor's "Liszt" album is number 10 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Ave Maria, S. 558 (after Schubert, D. 839) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria, S. 558 (after Schubert, D. 839) by Franz Liszt, Benjamin Grosvenor to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
"Was mir behagt, ist nur die muntre Jagd" Cantata, BWV 208: 9. Schafe können sicher weiden (Arr. For Piano Four Hands by Mary Howe) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen | B♭ Major | 0 | 6B | 111 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
Meditation: Méditation from Thaïs | Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | E Minor | 1 | 9A | 89 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM |
Section: 0.709916353225708
End: 0.7134859561920166